walker-scobell:

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The Nightmare Before Christmas (1994) dir. Henry Selick

(via trashcanonfire)

evilwizard:

terrencetheshark14:

evilwizard:

unrepentant-byler-shipper:

evilwizard:

meow-minola:

evilwizard:

welcome to my new app, UberFeats. i will send heroes to your house to commit great Feats of strength and cunning

Will they do my dishes?

they will Slay your dishes

What about the laundry?

they will Slay your laundry

what about the minotaur harassing my cows

they will Have Sex with the minotaur

(via trashcanonfire)

i-say-ok:

coldgoldlazarus:

sandersstudies:

sandersstudies:

sandersstudies:

sandersstudies:

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It’s me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here’s the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)

Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.

Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!

Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks

Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!

Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row

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ok!!!

(via nazz-van-bartonschmeer)

beaft:

allow me to tell you of the grave error i made yesterday. it was 8pm. i was cooking moroccan stew. needed to let it simmer for 25 minutes before i added the chickpeas. i shall go upstairs, thought i, and take a shower, and leave the chickpeas on the counter to drain. puddles the cat is sleeping near the stove. i briefly consider locking her out of the kitchen - but surely even she, leviathan of unconquerable appetites, will not concern herself with hard, drained, uncooked chickpeas. surely not.

with this set-up in mind, what do you imagine i found when i came back downstairs?

(via fanfic-fucker)

killerchickadee:

nitghowl1600:

zao–gao:

just-odradek:

h1king33k:

warmpockets:

warmpockets:

i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave” 

at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it

https://www.youtube.com/watch?v=0B4Zm-Aa74Y&t=2613s

omg BLESS YOU for the link and the time stamp that was as glorious as described by the OP

Y’all failed to mention that HE posted the video HIMSELF and liked every single comment oh my god

Ok but if you keep watching, the FBI agent asks the professor how sure he is that the painting was the real deal and the professors says “I have two sons. I often wonder where they really came from. I don’t wonder where this painting comes from.”

He fucked Rubens himself.

(via damnavidan)

oneswordstyle:

oneswordstyle:

Level of respect a class of teens I have to teach art to have for me when I walk in: 0%

Level of respect after I draw sasuke from memory on the whiteboard: beyond anything you could possibly imagine

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the true reason i rarely teach classes is to keep my ego at bay

(via cosmicanamnesis)